Akeroyd Collection
Artists
Lawrence Abu Hamdan
b.1985, Amman, Jordan; lives and works in Beirut, Lebanon.
Lawrence Abu Hamdan is an artist and self-proclaimed ‘Private Ear’. Listening to, with and on behalf of people affected by corporate, state, and environmental violence informs Abu Hamdan’s films, exhibitions, publications, live performances, and lectures, which often result in forensic reports, presented in support of social justice cases around the world. Abu Hamdan's audio investigations have been used as evidence at the UK Asylum and Immigration Tribunal and have been a key part of advocacy campaigns for organizations such as Amnesty International, Defence for Children International and Forensic Architecture.
Lawrence Abu Hamdan's recent exhibitions include Air Pressure (A Diary of the Sky), The Future Fields Commission in Time-Based Media, Philadelphia Museum of Art, Philadelphia (2024); Aux frontières de l’audible, Frac Franche-Comté, Besançon (2023); Walled Unwalled and Other Monologues, The Marie-Josée and Henry Kravis Studio, MoMA, New York (2023); 45th Parallel, Talbot Rice Gallery, University of Edinburgh, Edinburgh, UK, Museo Universitario Arte Contemporáneo, Mexico City (2023); 45th Parallel, Mercer Union, Toronto Biennial of Art, Toronto and Spike Island, Bristol (2022); The Sonic Image, Sharjah Art Foundation, Sharjah (2022); Lawrence Abu Hamdan / Dirty Evidence, Bonniers Konsthall, Stockholm (2021); Green Coconuts and Other Inadmissible Evidence, Secession, Vienna (2020); The Voice Before the Law, Hamburger Bahnhof, Berlin (2019); Earwitness Theatre, Contemporary Art Museum, St. Louis (2019); Lawrence Abu Hamdan. Witte de With, Rotterdam (2019), Earwitness Theatre, Chisenhale Gallery, London (2018); Hammer Projects: Lawrence Abu Hamdan, Hammer Museum, LA (2018); Earshot, Portikus, Frankfurt (2016); Taqiyya, Kunsthalle St Gallen, St Gallen (2015); Tape Echo, Beirut in Cairo and Van AbbeMuseum, Eindhoven (2013); The Freedom Of Speech Itself, The Showroom, London (2012), and The Whole Truth, Casco, Utrecht (2012). Additionally his works have been exhibited and performed within Kunsthalle Basel (2021); the 22nd Biennale of Sydney (2020); the 58th Venice Biennale (2019); Tate Modern, London, UK (2013, 2018); Sharjah Biennale 14 & 13 (2017, 2019) ; Centre Pompidou, Paris, France (2017); Contour Biennale 8, Mechelen, Belgium (2017); MACBA, Barcelona, Spain (2017); Moderna Museet, Stockholm, Sweden (2017); the 11th Gwangju Biennale, Korea (2016); the 9th Liverpool Biennial, UK (2016); Whitechapel Gallery, London, UK (2016); Beirut Art Center, Beirut, Lebanon (2015); and the 10th Shanghai Biennial (2014).
For further information about this artist please click here.
For Lawrence Abu Hamdan's entry on Asia Art Archive's website please click here.
Exhibitions
Air Pressure (A Diary of the Sky), The Future Fields Commission in Time-Based Media, Philadelphia Museum of Art, Philadelphia, Pennsylvania, U.S (solo)
Survival in the 21st Century, Deichtorhallen, Hamburg, Germany (group)
Aux frontières de l’audible, Frac Franche-Comté, Besançon, France (solo)
Cross-Border Crimes, Museo Universitario Arte Contemporáneo, Mexico City, Mexico (solo)
45th Parallel, Talbot Rice Gallery, University of Edinburgh, Edinburgh (solo)
Walled Unwalled and Other Monologues, The Marie-Josée and Henry Kravis Studio, MoMA, New York, USA (solo)
Der Angriff der Gegenwart auf die Übrige Zeit, Schinkel Pavillon, Berlin, Germany (group)
In the Heart of Another Country: The Diasporic Imagination Rises, Sharjah Art Foundation, Sharjah, UAE (group)
In The Heart Of Another Country, Deichtorhallen Hamburg, Hamburg, Germany (group)
Shift: Music, Meaning, Context, Museum of Contemporary Photography, Columbia College, Chicago, U.S (group)
Signals, MoMA, New York, U.S (group)
So It Appears, Institute for Contemporary Art, Virginia Commonwealth University, Richmond, U.S (group)
World as diagram, Work as Dance, Emalin, London, U.K (group)
45th Parallel, Mercer Union, Toronto Biennial of Art, Toronto, Canada; Spike Island, Bristol, UK (solo)
cross border crimes & the witness-machine complex, Sfeir-Semler Gallery, Hamburg, Germany (solo)
Dirty Evidence, Bonniers Konsthall, Stockholm, Sweden (solo)
Manifesta 14, Prishtina, Kosovo (group)
Still Present! 12th Berlin Biennale for Contemporary Art, Hamburger Bahnhof, Berlin, Germany (group)
Scotiabank Contact Photography Festival, 26th Edition, Toronto, Canada (group)
Errata, Mor Charpentier, Paris, France (group)
The Sonic Image, Sharjah Art Foundation, Sharjah, United Arab Emirates (solo)
Information (Today), Astrup Fearnley Museum of Modern Art, Oslo, Norway (group)
Future Fields Commission, Fondazione Sandretto Re Rebaudengo, Torino, Italy (group)
Terra Nostra, Mor Charpentier, Bogotá, Colombia (group)
Busan Biennale, Yeonje-Gu, Busan, 47500, Korea (group)
The Principle of Hope, Inside-Out Art Museum, Beijing, China (group)
For the Otherwise Unaccounted, SFU Galleries, Audain Gallery, Vancouver, Canada (group)
The Witness-Machine Complex, Kunstverein Nürnberg, Germany (group)
Though it’s dark, still I sing, 34th Bienal de São Paulo 2021, São Paulo, Brazil (group)
Sonic Liberation Front, Venice Architecture Biennale 2021, Venice, Italy (group)
Collection as Poem in the Age of Ephemerality, X Museum, Beijing, China (group)
Age of You, Jameel Arts Centre, Dubai, UAE (group)
Lawrence Abu Hamdan, Maureen Paley, London, UK (solo)
Green Coconuts and Other Inadmissible Evidence, Vienna Secession, Vienna, Austria (solo)
Worlds Without End, Dublin City Gallery The Hugh Lane, Dublin, Ireland (group)
Natq, Sfeir-Semler Gallery, Beirut, Lebanon (group)
Sala10: Lawrence Abu Hamdan, Walled Unwalled, UNAM – MUAC, Mexico City, Mexico (solo)
Art in the Age of Anxiety, Sharjah Art Foundation, Sharjah, UAE (group)
Artist's Rooms: Lawrence Abu Hamdan, Jameel Arts Centre, Dubai, UAE (solo)
This whole time there were no landmines, Towner Eastbourne, Eastbourne, UK (group)
The Future of Silence: When your tongue vanishes, Nam June Paik Art Center, Yongin-si, Korea (group)
Walled Unwalled, Pylon-Lab, Dresden, Germany (solo)
The Voice Before the Law, Baloise Group Collection Display Exhibition, Hamburger Bahnhof, Museum fur Gegenwart, Berlin, Germany (solo)
Turner Prize 2019, Turner Contemporary, Margate, UK (group)
Tandem, Alexander and Bonin, New York, USA (group)
Earwitness Theatre, Contemporary Art Museum St. Louis, St Louis, Missouri, USA; travelling to the Institute of Modern Art, Brisbane, Australia (solo)
May You Live in Interesting Times, 58th Venice Biennale, Venice, Italy (group)
Lawrence Abu Hamdan, Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (solo)
Babel, ISELP contemporary art centre, Brussels, Belgium (group)
Walled Unwalled, Tate Tanks, Tate Modern, London, UK (solo)
Walled Unwalled, daadgalerie, Berlin, Germany (solo)
Earwitness Theatre, Chisenhale Gallery, London, UK (solo)
74 million million million tons, curated by Ruba Katrib and Lawrence Abu Hamdan, SculptureCenter, New York, NY, USA (group)
Lawrence Abu Hamdan: [INAUDIBLE], mor charpentier, Paris, France (solo)
Hammer Projects: Lawrence Abu Hamdan, Hammer Museum, Los Angeles, USA (solo)
From Ear to Ear to Eye: Sounds and Stories from Across the Arab World, Nottingham Contemporary, Nottingham, UK (group)
Manipulate the World, Moderna Museet, Stockholm, Sweden (group)
Accentisms, Taxispalais, Kunsthalle Tirol, Innsbruck Austria (group)
Negotiating the Future: 2017 Asian Art Biennial, National Taiwan Museum of Fine Arts, Taiwan (group)
Lawrence Abu Hamdan, Maureen Paley, London, UK (solo)
Blind Date, SFEIR-SEMLER Gallery, Beirut, Lebanon (group)
Contra-Diction: Speech Against Itself, Le Centre Pompidou, Paris, France (solo)
The Eighth Climate (What Does Art Do?), Gwangju Biennial, South Korea (group)
Contra-diction: Speech Against Itself, Maureen Paley, London, UK (solo)
On Limits: Estrangement in the Everyday, The Kitchen at The Whitney Museum, New York, USA (group)
Earshot, Portikus, Frankfurt, Germany (solo)
Political Populism, Kunsthalle Wien, Vienna, Austria (group)
Our Land/Alien Territory, 6th Moscow Biennial, Moscow, Russia (group)
The All-Hearing, Laveronica, Arte Contemporanea, Sicily, Italy (solo)
Taqiyya, Kunsthalle St. Gallen, St. Gallen, Switzerland (solo)
Tape Echo, Van Abbemuseum, Eindhoven, Netherlands (solo)
Tape Echo, Beirut in Cairo, Cairo, Egypt (solo)
Nam June Paik award exhibition, Museum Folkwang Essen, Germany (group)
Model court: Resolution 978 HD, Gasworks, London, UK (group)
Aural Contract: The Whole Truth, Casco Utrecht, Netherlands (solo)
Aural Contract: The Freedom of Speech Itself, The Showroom, London, UK (solo)
2024
2023
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
Awards
Audience Prize awarded by the Toronto Biennial of Art, Toronto, Canada
The Jean Vigo Award for Best Director, Punto de Vista 2020, Italy
German Federal Foreign Office Dialogue Award at the 33rd European Media Art Festival
Winner of the Turner Prize 2019 with Helen Cammock, Oscar Murillo and Tai Shani, London, UK
Edvard Munch Award, 2019, Oslo, Sweden
The Abraaj Group Art Prize, United Arab Emirates
20th Baloise Art Prize, Basel, Switzerland
Shortlisted for the Jarman Award, United Kingdom
Tiger Award for Short Films (for 'Rubber Coated Steel', 2016), Germany
Dialog Award (for 'Rubber Coated Steel', 2016)
International Nam June Paik Award, Kunststiftung NRW, Germany
2022
2020
2019
2018
2017
2016