Akeroyd Collection
Artists
Luke Willis Thompson
b. 1988, Auckland, New Zealand; lives and works in London, U.K.
Luke Willis Thompson is of Fijian and European descent and through film, photography and installation, he explores themes of identity, race, representation, and the social and political power dynamics at play within such explorations. Works often contend with violence and grief, where film and its staging offer poignant portrayals of resilience to the systemic violence faced by marginalized communities. His works often challenge conventional modes of representation and address the historical and contemporary legacies of colonialism and racism. Thompson has a keen interest in collaboration and engaging with individuals and communities directly affected by the issues he explores. He often attempts to give agency to his subjects in the artistic process, engendering a sense of respect and sensitivity with the issues he addresses which are largely other people’s stories and traumas. His artistic practice continues to push boundaries and provoke meaningful conversations about social justice and the human condition. Through his art, Thompson invites viewers to confront uncomfortable truths and consider alternative perspectives, aiming to foster empathy and understanding.
Luke Willis Thompson's recent exhibitions include Mouvement des Malades, Coastal Signs x Michael Lett Gallery, Tāmaki Makaurau, Auckland, (2024) (a) breathing: collective noun, Oslo (2021); Adjacency, Galerie Nagel Draxler Kabinett, Berlin (2019); Hysterical Strength, GAMeC, Bergamo (2019); Turner Prize, Tate Britain (2018); _Human, Kunsthalle Basel, Basel (2018); Luke Willis Thompson, Adam Art Gallery, Wellington (2018); autoportrait, Hopkinson Mossman, Auckland; Chisenhale Gallery, London (2018); Cemetery of Uniforms and Liveries, Galerie Nagel Draxler, Berlin (2016); Sao Paulo Bienial, Sao Paulo (2016); Misadventure, Institute of Modern Art (IMA), Brisbane (2016); Sucu Mate/Born Dead, Hopkinson Mossman, Auckland (2016); and Sucu Mate, Galerie Nagel Draxler, Cologne (2015).
For further information about this artist please click here.
For Luke Willis Thompson's entry on Asia Art Archive's website please click here.
Exhibitions
Mouvement des Malades, Coastal Signs x Michael Lett Gallery, Tāmaki Makaurau, Auckland. New Zealand (solo)
The Mouth is for Speaking, Löwenbräukunst, Zurich, Switzerland (group)
(a) breathing: collective noun, Oslo, Norway (group)
Adjacency, Galerie Nagel Draxler Kabinett, Berlin, Germany (solo)
Hysterical Strength, GAMeC, Bergamo, Italy (solo)
Turner Prize, Tate Britain, London, UK (group)
We don’t need another hero, 10th Berlin Biennale, Berlin, Germany (group)
_Human, Kunsthalle Basel, Basel, Switzerland (solo)
Deutsche Börse Photography Foundation Prize 2018, The Photographers Gallery, London, UK (group)
Luke Willis Thompson, Adam Art Gallery, Wellington, Australia (solo)
autoportrait, Hopkinson Mossman, Auckland, Germany (solo)
autoportrait, Chisenhale Gallery, London, UK (solo)
Shout, Whisper, Wail: The Chartwell Show (curated by Natasha Conland), Auckland Art Gallery Toi o Tamaki, Auckland, Australia (group)
La Bienniale de Montreal, Montreal, Canada (group)
Cemetery of Uniforms and Liveries, Galerie Nagel Draxler, Berlin, Germany (solo)
Sao Paulo Bienial, Sao Paulo, Brazil (group)
Misadventure, Institute of Modern Art (IMA), Brisbane, Australia (solo)
Light switch and conduit: the Jim Barr and Mary Barr collection, Dunedin Public Art Gallery, Dunedin, New Zealand (group)
Sucu Mate/Born Dead, Hopkinson Mossman, Auckland, Australia (solo)
Asia Pacific Triennial, Queensland Art Museum, Queensland, Australia (group)
Parked like Serious Oysters, Museum fur Modern Kunst, Frankfurt, Germany (group)
Surround Audience, New Museum Triennial, New York, USA (group)
Walters Prize Exhibition, Auckland Art Gallery, Auckland, Australia (solo)
Sucu Mate, Galerie Nagel Draxler, Cologne, Germany (solo)
Foreign Exchange – or the stories you wouldn’t tell a stranger (curated by Clementine Deliss), Weltkulturen Museum, Frankfurt am Main, Germany (group)
On this day alone (curated by Glenn Barkley), Gertrude Contemporary, Melbourne, Australia (group)
If you were to live here..., Auckland Triennial (curated by Hou Hanru), Auckland Art Gallery, Auckland, Australia (group)
Made Active: The Chartwell Show (curated by Natasha Conland), Auckland Art Gallery Toi o Tamaki, Auckland, Australia (group)
inthisholeonthisislandwhereiam, Hopkinson Cundy, Auckland, Australia (solo)
Elam Graduate Show: MFA Program, Elam School of Fine Arts, Auckland (solo)
2024
2022
2021
2019
2018
2017
2016
2015
2014
2013
2012
2010
Awards
Turner Prize nomination
Deutsche Börse photography prize
Walters Prize
2018
2014