Akeroyd Collection
Artists
Samson Young
b. 1979, Hong Kong, China; lives and works in Hong Kong, China.
Samson Young is known for his multidisciplinary practice that spans across music, sound, performance, and installation. Born in 1979, he studied music composition and philosophy before pursuing an art career. His work often explores the intersection of sound and politics, examining the power dynamics inherent in musical and sonic forms of expression. While Young's background is in music composition, his work as an artist spans a broad range of media, that also includes drawing, wall transfers and radio broadcasting. Young's work is frequently political in nature, addressing military history and the British occupation of Hong Kong as subjects most explicitly. His work across all media, including the sound compositions, touch on topics such as identity, migration, and political frontiers past and present in the context of more explicit geographical and military contexts. Drawing on multiple references, and extensive research, the relationship between violence and sound is a recurrent line of inquiry in Young’s work.
Samson Young represented Hong Kong with a solo project titled Songs for Disaster Relief at the 57th Venice Biennale. He was the recipient of the BMW Art Journey Award, a Prix Ars Electronica Award of Distinction in Sound Art and Digital Music, and in 2020 he was awarded the inaugural Uli Sigg Prize. His recent solo exhibitions include New Work: Samson Young, San Francisco Museum of Modern Art (2024); Sonata for smoke, Cleveland Museum of Art, Ohio (2023); The World Falls Apart Into Facts, Kyoto Experiment, Kyoto (2023); Music for selective hearing, or assisted living, Kiang Malingue, Hong Kong (2022); Artist’s Rooms: Samson Young, Jameel Arts Centre, Dubai, UAE (2021); MAM Collection 012: Samson Young, Mori Art Museum, Tokyo, Japan (2020); Instrumentation, Hong Kong Visual Arts Centre, Hong Kong (2019); Songs for Disaster Relief, M+ Pavilion, West Kowloon Cultural District, Hong Kong (2018); Furniture Music, Galerie Gisela Capitain, Cologne, Germany (2017); Orchestrations, Connecting Space, Hong Kong (2016); and Pastoral Music, Art Basel Hong Kong, Hong Kong (2015). Group exhibitions include Guangzhou Triennial, Guangzhou (2023); Cloud Walkers, Leeum Samsung Museum, Seoul, South Korea (2022); One song is very much like another, and the boat is always from afar, Guangdong Times Museum, Guangzhou (2022); Chrono Contemporary, The Museum of Contemporary Art (MoCA), Taipei, Taiwan (2021); 100 Drawings from Now, The Drawing Center, New York, USA (2020); An Opera for Animals, Para Site, Hong Kong (2019); and One Hand Clapping, Solomom R. Guggenheim Museum, New York (2018).
For further information about this artist please click here.
For Samson Young's entry on Asia Art Archive's website please click here.
Exhibitions
New Work: Samson Young, San Francisco Museum of Modern Art, US (solo)
Frames and variations, Petzel Gallery, New York, USA (solo)
The World Falls Apart Into Facts, Kyoto Experiment, Kyoto, Japan (solo)
Variation of 96 chords in space, Fotografiska Shanghai, China
Sonata for smoke, Cleveland Museum of Art, Ohio, U.S (solo)
Situated Listening, Kestner Gesellschaft, Hannover, Germany (solo)
In between the notes, Experimenter, Kolkata, India (group)
20 Hetreophonies (in Nam June Paik: I expose the music), Museum Ostwall, Dortmund, Germany (group)
Sounds like print, Artist Book Library, Taikwun Contemporary, Hong Kong (group)
The Travellers and the Listeners, Freespace, Hong Kong (group)
Chinese Contemporary Art from the Sigg Collection, SONGEUN Art and Cultural Foundation, Seoul, South Korea (group)
Guangzhou Triennial, Guangzhou, China
Myth Makers, Taikwun Contemporary, Hong Kong (group)
After the spectacle, Yebisu International Festival for Art & Alternative Visions, Tokyo Photographic Art Museum, Tokyo (group)
Music for selective hearing, or assisted living, Kiang Malingue, Hong Kong (solo)
Sonata for Smoke, Saint Louis Art Museum, Missouri, USA (solo)
Cloud Walkers, Leeum Samsung Museum, Seoul, South Korea (group)
The mind blanks at the glare, Galerie Gisela Capitain, Cologne, Germany (solo)
Sonata for Smoke & Reasonable Music (Lyrica), Tomorrow Field Taiza Studio, Kyoto, Japan (solo)
New Drawings, Jaffe-Friede Gallery, Dartmouth College, Hanover, New Hampshire, USA (solo)
One song is very much like another, and the boat is always from afar, Guangdong Times Museum, Guangzhou, China (group)
Artist’s Rooms: Samson Young, Jameel Arts Centre, Dubai, UAE (solo)
35th Image Forum Festival: East Asian Experimental Competition, Theater Image Forum, Tokyo; Aichi Art Centre, Nagoya, Japan (group)
Deep listening for longing, Borås Art Biennial, Borås Art Museum, Borås, Sweden (group)
Chrono Contemporary, The Museum of Contemporary Art (MoCA), Taipei, Taiwan (group)
Studio Exhibition: Samson Young, Capitain Petzel, Berlin, Germany (solo)
The World Falls Apart Into Facts, Ota Fine Arts, Tokyo, Japan (solo)
Closer Reading, Ordet, Milan, Italy (solo)
100 Drawings from Now, The Drawing Center, New York, USA (group)
Blue Peal of Bells, Museum of Contemporary Art Busan, Busan, South Korea (group)
Next Act: Contemporary Art from Hong Kong, Asia Society Hong Kong Center, Hong Kong (group)
MAM Collection 012: Samson Young, Mori Art Museum, Tokyo, Japan (solo)
Close Reading, Rysoku-in Temple in Kenninji Temple, Kyoto, Japan (solo)
Sigg Prize 2019, M+ Pavilion, Art Park, Hong Kong (group)
Available Forms, Experimenter, Kolkata, India (solo)
Silver moon or golden star, which will you buy of me?, SMART Museum of Art, University of Chicago, Chicago, Illinois, USA (solo)
Walking Through Walls, Gropius Bau, Berlin, Germany (group)
Real Music, Monash University Museum of Art, Melbourne, Australia (solo)
Real Music, Talbot Rice Gallery, University of Edinburg, Edinburgh, UK (group)
Decoders – Recorders, a dual solo with Steffani Jemison and Samson Young, De Appel, Amsterdam, the Netherlands (solo)
Living Sound - Expanding the Extramusical, Taipei Museum of Contemporary Art (MOCA), Taiwan (group)
An Opera for Animals, Para Site, Hong Kong (group)
Instrumentation, Hong Kong Visual Arts Centre, Hong Kong (solo)
It’s a heaven over there, Centre A: Vancouver International Centre for Contemporary Asian Art Vancouver, Canada (solo)
The D-Tale, Video Art from the Pearl River Delta, Times Art Centre Berlin, Germany (group)
The highway is like a lion’s mouth, Kiang Malingue Gallery, Shanghai, China (solo)
One Hand Clapping, Solomom R. Guggenheim Museum, New York, USA (group)
SUPERPOSITION: Equilibrium & Engagement, 21st Biennale of Sydney, Sydney, Australia (group)
Songs for Disaster Relief, M+ Pavilion, West Kowloon Cultural District, Hong Kong (solo)
Travelers: Stepping into the Unknown, National Museum of Art, Osaka, Japan (group)
Furniture Music, Galerie Gisela Capitain, Cologne, Germany (solo)
One of Two Stories, or Both (Field Bagatelles), Centre for Chinese Contemporary Art (CFCCA), Manchester, UK (solo)
Songs for Disaster Relief, Hong Kong Pavilion, 57th Venice Biennale, Venice, Italy (solo)
documenta 14, Athens, Greece and Kassel, Germany (group)
A Dark Theme Keeps Me Here, I’ll Make A Broken Music, Kunsthalle Düsseldorf, Germany (solo)
The Mastery of Language Affords Remarkable Power, Experimenter, Kolkata, India (solo)
Orchestrations, Connecting Space, Hong Kong (solo)
Before • After, Oi!, Hong Kong (group)
Pastoral Music, Team Gallery, New York City, New York, USA (solo)
Video Program: Samson Young, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (solo)
New York Electronic Art Festival, Museum of the Moving Image, New York, USA (group)
Avant-garde on speed, TKG+ gallery, Taipei, Taiwan (solo)
Pastoral Music, Art Basel Hong Kong, Hong Kong (solo)
Kiinan Muuttuvat Maisemat, Amos Anderson Museum, Helsinki, Finland (group)
MTVs, a.m. space, Hong Kong (solo)
Journal of a Plague Year, Arko Art Center, Seoul, South Korea (group)
I wanted to see everything: the Liquid Borders Project, a.m. space, Hong Kong (solo)
Revolution Per Minute: Sound Art China, Shanghai West Bund Biennale of Architecture and Contemporary Art, Shanghai, China (group)
On the Musically Beautiful, Goethe-Institute, Hong Kong (solo)
Innovationist: the Spectacular Journey of New Media Art, Taipei Contemporary Art Museum, Taipei, Taiwan (group)
Why Do Trees Grow Till the End, Gallery EXIT, Hong Kong (group)
Machines for Making Nothing, Cogut Center for Humanities, Brown University, Providence, USA (solo)
MONA FOMA, Tasmania Museum and Art Gallery, Australia (group)
Dare to Struggle, Dare to Win: Emerging Artists from the Chinese Diaspora, Deutschebank Headquarters, New York, USA (group)
Shenzhen-Hong Kong Bi-city Biennale of Urbanism and Architecture, Victoria Prison, Hong Kong; OCT, Shenzhen, China (group)
2024
2023
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2008
2007
Awards
Inaugural Sigg Prize 2019, M+, Hong Kong
Honorary Fellowship, Hong Kong Arts Centre
BMW Art Journey Award
Artist of the Year (Media Art Category), Hong Kong Arts Development Council
Prix Ars Electronica (Sound Art and Digital Music Category), Honorary Mention Japan Media Art Festival (Interactive Category), Jury Selection Award
New York Society for New Music, Brian M. Israel Prize
Bloomberg Emerging Artist Award
2019
2018
2015
2013
2012
2009
2007