Akeroyd Collection
Artists
Takeshi Murata
b. 1974, Chicago, U,S.; lives and works in Saugerties, New York, U.S.
Takeshi Murata is an artist who explores a wide range of mediums and techniques, including video, animation, data-moshing and CGI. His practice revolves around the process of image-making and the concept of the digital afterlife. Murata's journey into glitch art began in 2003 after a failed video download. He is recognized as one of the pioneers of this artistic movement as a result but over time, his work has evolved to encompass hyper-realism and computer-simulated imagery, which he skilfully produces through a DIY process. Without access to Hollywood animation studio budgets, Murata honed his skills by immersing himself in instructional YouTube videos. Yet, despite their amateur origins, Murata's artworks exhibit uncanny interiors that resemble meticulously crafted digital sculptures. They evoke the aesthetics of online gaming and major animated motion pictures. More recently, Murata has delved into creating digital still lives that depict outdated technological remnants and symbols of mortality. These compositions are combined with miscellaneous objects like beer bottles, lemons, and VHS tapes. Employing CGI technology, Murata gives these objects a striking illusion of three-dimensionality, effectively producing contemporary Dutch vanitas images for the digital age. His creations invite contemplation on the process of image-making, the transience of technology, and the profound influence of the digital world on our lives.
Takeshi Murata recent projects include Visitors, Le Forum, Ginza Maison Hermès, Tokyo (2022); Monster, Svetlana, New York (2020); Dracula’s Wedding, RODEO, London (2019); Living Room, Yamamoto Gendai, Tokyo (2017); Infinite Doors, Empty Gallery, Hong Kong (2017); 1000 Years, Ratio 3, San Francisco (2016); Second Nature, Kasia Michalski Gallery, Warsaw (2016); Takeshi Murata Survey, Kunsthalle Stavanger, Stavanger (2015); Midnight, Ratio 3, San Francisco (2013); Synthesizers, Salon 94, New York (2012); and Layr Wuestenhagen Contemporary, Vienna (2008).
For further information about this artist please click here.
For Takeshi Murata's entry on Asia Art Archive's website please click here.
Exhibitions
Visitors, Ginza Maison Hermès in Tokyo, Japan (group)
Visitors, Le Forum, Ginza Maison Hermès, Tokyo, Japan (group)
Monster, Svetlana, New York, USA (group)
Dracula’s Wedding, RODEO, London, UK (group)
Video Works from the Collection - Summer 2019, Arsenal Contemporary Art Montreal, Montreal, Canada (group)
Samaritans, curated by Dan Nadel, Eva Presenhuber, New York, USA (group)
Nerve Center, The Pit, Los Angeles, USA (group)
Living Room, Yamamoto Gendai, Tokyo, Japan (solo)
Infinite Doors, Empty Gallery, Hong Kong, China (solo)
After Us, curated by Lauren Cornell, Chi K| |Art Museum, Shanghai, China (group)
1000 Years, Ratio 3, San Francisco, USA (solo)
Second Nature, Kasia Michalski Gallery, Warsaw, Poland (solo)
The Campaign for Art: Contemporary, SFMOMA, San Francisco, USA (group)
The Metabolic Age, Museo de Arte Latinoamericano de Buenos Aires, Argentina (group)
Takeshi Murata, Halsey McKay, East Hampton, NY, USA (solo)
Takeshi Murata Survey, Kunsthalle Stavanger, Stavanger, Norway (solo)
Private Settings: Art After the Internet, Museum of Modern Art Warsaw, Poland (group)
OM Rider, Salon 94, New York, USA (solo)
Speculative Materialism Oo Oo, Leclere-Maison de Ventes aux Encheres, Marseille, France (group)
Midnight, Ratio 3, San Francisco, USA (solo)
ANAMERICANA, American Academy, Rome, Italy (group)
Time Moving and Storage, Loyal, Malmō, Sweden (group)
Mortality, Museum of Art and Design, New York, USA (solo)
Synthesizers, Salon 94, New York, USA (solo)
Transmission LA: AV Club, Museum of Contemporary Art (MOCA), Los Angeles, USA (group)
Chaos as Usual, Bergen Kunstall, Bergen, Norway (group)
Get Your Ass To Mars, Ratio 3, San Francisco, USA (solo)
Worng, IMO Projects, Copenhagen, Denmark (group)
Amnesia, Andrea Rosen Gallery, New York, USA (group)
Borderland Abstraction, Bemis Center for Contemporary Arts, Omaha, USA (group)
Deception of the Eye, Special Effects in Contemporary Art, Kunsthalle Wilhelmshaven, Germany (group)
Straylight Cavern, Cell Project Space, London, UK (group)
Peace and agriculture in a pre-Romantic ideal landscape, without sublime terrors, Haunch of Venison, Berlin, Germany (group)
Stray Alchemists, Ullens Center for Contemporary Art, Beijing, China (group)
Two-Fold Faction, PKM Gallery, Beijing, China (group)
Materialized: New American Video and...., Bergen Kunsthalle, Bergen, Norway (group)
Takeshi Murata, Layr Wuestenhagen Contemporary, Vienna, Austria (solo)
Escape Spirit VideoSlime, Ratio 3, San Francisco, USA (solo)
Fractured Figure, DESTE Foundation for Contemporary Art, Athens, Greece (group)
Automatic Update, Museum of Modern Art, New York, USA (group)
Damage Control, Gallery.Sora, Tokyo, Japan (solo)
Black Box: Takeshi Murata, Hirshhorn Museum and Sculpture Garden, Washington DC (solo)
Lift 02: Takeshi Murata, The Kitchen, New York, USA (solo)
Abstract Action, Gallery W52, New York, USA (group)
Takeshi Murata, Vox Populi Gallery, Philadelphia, USA (solo)
Two, The Reliance, The Approach, London, UK (solo)
By Design, Taka Ishii Gallery, Tokyo, Japan (group)
Silver Equinox, Ratio 3, San Francisco, USA (solo)
Redeconstruction, Gladstone Gallery, New York, USA (group)
With us against reality, or against us!, Willy Wonka Inc./Galleri S.E., Oslo, Norway (group)
Fresh NY, Threshold Artspace, Perth, Scotland (group)
L.A. Remixed, Natural History Museum, Los Angeles, USA (group)
And if you think you see with just your eyes you are mad, Peres Projects, Los Angeles, USA (group)
Drunk vs. Stoned, Gavin Brown's Enterprise, New York (group)
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